Morris W-40 | Made in Japan 1976

 
Morris W-40 | Made in Japan 1976
 
This is a standout example of Japanese acoustic lutherie: a vintage Morris W-40. Produced during the golden era of Japanese guitar manufacturing, this specific model is a highly regarded dreadnought designed to rival the iconic American D-style builds of the 1970s. Known for its exceptional craftsmanship and premium tonewoods, the W-40 remains a "best-kept secret" among vintage collectors.
 
The W-40 was a high-tier model in the Morris lineup, featuring the sophisticated 3-piece back construction and ornate abalone detailing typically reserved for professional instruments. This example features a resonant Spruce top paired with figured Jacaranda back and sides.
 
 
Test it for yourself at our Sydney shop, or we can ship it safely to your door anywhere in Australia. Contact us for a shipping quote. In stock at Guitar Garage Sydney.
 
Key Features
Year: 1976
Model: Morris W-40 Dreadnought
Made in: Japan
Body Style: Traditional Square-Shoulder Dreadnought
Top Wood: Solid Spruce
Back & Sides: Jacaranda
Neck: Mahogany with "Soft V" profile
Fingerboard: Rosewood with Abalone Hexagonal inlays
Bridge: Rosewood
Tuners: Original Chrome Die-cast
 
 
 
Sound and Tone
The W-40 is celebrated for its massive projection and warm, "metallic" sweetness. The 3-piece back design provides a tight, focused low-end response that doesn't become muddy, making it an exceptional choice for flatpicking and heavy strumming. It offers a harmonically rich foundation with excellent sustain that only comes from aged vintage tonewoods.
 
Feel and Playability
The neck profile offers a substantial yet comfortable grip, providing a solid anchor for chordal work. This unit has been maintained with a professional-standard action, ensuring it remains easy to play despite its powerful acoustic output. It is a well-balanced dreadnought that vibrates with a noticeable resonance against the player's body.
 
 
Condition
Excellent vintage condition. This 1976 instrument has been remarkably well-preserved, showing only very minimal wear consistent with its age. There are no major dings, cracks, or structural issues to report. The gloss finish retains its original luster, the abalone inlays are bright, and the hardware remains clean. The neck is straight with healthy fret life, and the bridge is perfectly secure. It is a great example of Japanese lutherie that is ready to play.